Re: New wave is dead!

: 新浪潮代表性的導演高達,其作品籠統的說是屬於現代主義,他早期的作品有著濃厚存在主
: 義反叛既定規範,更如信奉黑格爾正.反.合歷史進化論般不斷質疑辯證一切;王家衛的作品
: 則有著鮮明的物質回流後現代的風格,其內容則是沉溺在人與人.人與時間中進行辯證,然則
: 他們的起點<斷了氣>與<阿飛正傳>(阿片之前尚有旺角卡門)卻極其相似,也影響他們之後
: 的作品,或者說是延伸,他們的相似點有:
: 1.文學式的獨白
: 2.操縱時間和空間的奇特手法
: 3.斷裂式的影像組合及剪輯方式
: 4.採用不合理的非敘事方式
: 5.主角的相似性(Jean-Paul Belmonodo與張國榮)
: 6.能堅持自己的慾望和情感,無論自私或盲目,生存才有尊嚴和意義
: 當然風格無所謂抄襲與否,只要能精確表達意念即是好作品,在此提出上述觀點,希望對此主
: 題有興趣者能一同切磋
I do not think that you could compare Wang with Godard because if you really have studied Godard' movie for the inside. Godard has always cited his political point of view in most of his movies, which Wang has never been there!!! Beside, if you know the way how Wang works with the movie , I do not think that yoiu will ever compare him with any of the New Wave members.
I always talk with my friends about Wang's movie, and , I do not think that he is that genuine (and genius) in his films. He, sometimes , just make some "different salad" to suprise his Chinese (or some europeans who are in their aisan fever) audiences. tooo bad!!!

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