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  Vol 60, October 2015

Sketch Studies and Lu Yen’s Harmony

Nancy Yunhwa Rao
Memory and Obliviousness in the Creation of Music: Re-examining the Musical Language of Qigang Chen’s Yuan by his Composition Notes
Hsien-Sheng Lien
Study on the Relationship between Musicology and Composer: The Influence of Musicologist Louis Laloy on Claude Debussy’s Et la lune descend sur le temple qui fut

Hui-Chen Liao

The Compositional History of Richard Strauss's “Dance of the Seven Veils” and its Significance

Yung-Kai Tsai

The Blank and the Opportunity in the History of German Opera: A Survey of the Early Romanticism of The Drink of Immortality by Julius von Soden and E.T.A. Hoffmann

Diau-Long Shen

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